A PRACTICAL TREATISE ON GOLD AND SILVERSMITHS' WORK AND THEIR ALLIED CRAFTS BY
HERBERT MARYON, ASSOCIATE OF UNIVERSITY COLLEGE, READING
WITH 333 LINE DRAWINGS BY CYRIL PEARCE, AND OTHER ILLUSTRATIONS
SECOND EDITION LONDON CHAPMAN AND HALL, LTD. 1923
Printed in Great Britain by
Wm. Brendon &> Son, Ltd., Printers, Plymouth
CHAPTER I
Materials and Tools 1 Gold and silver—Care of material—Assay—Copper and brass—Other metals and alloys—The workshop—Various tools.
CHAPTER II
Soldering Hard solder—Composition of gold solders—Silver solders—Spelter solders for copper, brass and iron—Moulds for casting solder.
CHAPTER III
Soldering (continued) 15 Binding work for soldering—Soldering in plaster—Use of borax—Ap plication of solder—The soldering hearth—Jeweller's charcoal and wig—Management of flame—Various hints—Removal of borax by pickling—Composition of pickles—Antidote for acid burns—Brazing.
CHAPTER IV
Soldering (continued) 26 Gas—Jeweller's jet—Blowpipes—Bellows—Management of blowpipo flame—Spirit lamps—Blowlamps—Coke fire—Charcoal fire—Furnace.
CHAPTER V
Soldering (continued) 36 Soft solder—Composition of soft solders—Fluxes—Soldering bits-Various hints—Removal of soft solder.
CHAPTER VI
Filigree and Other Small Work 42 Wire drawing—Tube or chenier—Tools—Jeweller's bench.
CHAPTER VII
Filigree (continued) 55 Grains—Bosses—Rings—Leaves—Filigree wire—Soldering—Boiling out—Filed solder.
CHAPTER VIII
Setting of Stones 67 Tools required and their uses.
CHAPTER XIV
Stone Setting (continued) 74 The coronet setting—The out-down—Millegriffe—Thread, or thread and grain—Star, Gothic or tulip—Pave.
CHAPTER X
Stone Setting (continued) 85 Gipsy—Roman—Rubbed over or band setting—Cramp setting—Pin setting for pearl—Drop stones, etc.
CHAPTER XI
Raising 93 Stakes— The raising hammer— Planishing and collet hammers — Sinking—Raising—Annealing—Shaping—Planishing—Various hints.
CHAPTER XII
Spinning 110 The lathe — The pattern or forme—The section chuck — Other chucks—Followers—Tools—Spinning—Lubricants.
CHAPTER XIII
Repousse Work 119 Materials and tools—Pitch—Lead or zinc—Board work—Composition of pitch—Removing pitch—Repousse and chasing tools—Snarling irons.
CHAPTER XIV
Repousse Work (continued) . 130 Transferring the design—Lettering—Patterns on bowls—Work in the round.
CHAPTER XV
Mouldings 134 Folded edges—Wired edges—The drawswage—Making the dies—The drawbeneh—Swaged mouldings—Turned mouldings—Bending strip metal—Running plaster mouldings for casting.
CHAPTER XVI
Twisted Wires 143
CHAPTER XVII
Hinges and Joints 149 Chenier joints—Joint tool—Soldering—Brooch joints.
CHAPTER XVIII
Metal Inlaying 158 Piercing the recesses—Punching them—Chiselling them—Engraving Etching—Etching grounds—Transferring design—Needling—Mor dants—Fusing the inlay—Depositing it — Hammering it in—A Japanese method.
CHAPTER XIX
Niello 171 Theophilus—Cellini—Bolas—Spon.
CHAPTER XX
Japanese Alloys , 177 Mizu nagashi—Mokume—Shaku do—Shibu iehi.
CHAPTER XXI
Enamelling ISO Tools and materials—List of enamels.
CHAPTER XXII
Enamelling (continued) 185 Champleve enamels — Cutting or engraving—Grinding enamel— Washing enamel—Filling the recesses—Firing enamels—Polishing and finishing.
CHAPTER XXIII
Enamelling (continued) 192 Cloisonne enamels—Making, fitting and soldering eloisons—Plique a jour—Temporary backgrounds—Bassetaille enamels.
CHAPTER XXIV
Enamelling (continued) 197 Painted enamels—Preparation of plaque—Backing—Grinding colours in mortar—Applying the enamel—Drying—Firing—Foil—Grinding colour on slab—Painting—Gold—Alterations, grisaille, etc.
CHAPTER XXV
Metal Casting , 207 Cuttlefish moulds—Materials for moulds—The piece mould—The core—Casting a relief—Loam or easting sand—Flasks—Casting on the descending or the ascending principle—The pour—Thevents.
CHAPTER XXVI
Casting (continued) 221 The " cire perdue " or waste wax process—Composition of the wax— The wax model—The core—The pour, gates and vents—Materials for the final mould—Binding with wire—Cellini—Melting out the wax—Firing the mould—Furnaces — Fusing the metal—Fusible alloys—Pouring—Finishing casts.
CHAPTER XXVII
Construction 234 Hollow handles—Compound mouldings—Fitting moulding to a tapering vessel—The folding iron—Squareand round trays—Buckling m sheet metal—Fixing a tablet—Inkpot tops.
CHAPTER XXVIII
Setting Out 242 Tools—Transferring drawings to metal — Measurements—Various geometrical problems—Setting out inscriptions—Rectangular ring for small work.
CHAPTER XXIX
Polishing, Colouring, and Lacquering 254 Polishing—Burnishing — Matt surface — The colouring of gold— Silrer—Copper—Brass—Japanese metal colouring—Lacquering.
CHAPTER XXX
The Making and Sharpening of Tools 265 Carbon Steels—Alloy steels— Forging — Hardening—Tempering— Tempering in metal bath—Grinding—Sharpening.
CHAPTER XXXI
Design 272
CHAPTER XXXII
Genesis 284
CHAPTER XXXIII
Benvenuto Cellini 288
CHAPTER XXXIV
Outfit for a Shall Workshop 291
CHAPTER XXXV
Various Tables and Standards 294
CHAPTER XXXVI Gauges 308
Notes on Illustrations 316
Bibliography 318
Index 319